Wednesday, January 16, 2019

The Lord of the Rings: The Return of the King review (movie review #2) (updated version)


How do you end a movie trilogy that is loved by hundreds of thousands of fans on a high note? Just follow the path that this movie followed:
 

Yes, all you Middle-Earth fans, today I’m giving my critique on the concluding chapter of one of the greatest film trilogies of all time, The Lord of the Rings: The Return of the King! I recently finished watching this epic finale to the Lord of the Rings film trilogy, and while I still greatly enjoy the previous movie, The Two TowersThe Return of the King is a worthy conclusion to a spectacular movie trilogy, with incredible performances, compelling action, near-perfect directing, and a majestic score!


StoryThe Lord of the Rings: The Return of the King takes place immediately where The Two Towers left off, with Frodo and Sam continuing their journey to Mount Doom with the aid of the treacherous Gollum, who secretly plans to double-cross the two Hobbits in order to reclaim the One Ring for himself. Meanwhile, Gandalf, Aragorn, and the other members of the Fellowship of the Ring, along with King Théoden of Rohan, prepare for the coming battle against the growing forces of the malevolent dark lord Sauron, who is determined to see Minas Tirith, the capital city of Gondor, fall under the power of his immense army’s might. 
The multiple subplots told throughout the movie, such as the testing of Frodo and Sam’s friendship and the build-up to the final battle against Sauron’s massive armies, are quite well written and well balanced, and thus the development that each subplot undergoes allows them to end in a way that most viewers will be satisfied with. For example, the relationship between Frodo and Sam is rather well developed, as their friendship is put to the ultimate test by Gollum’s nefarious machinations, and though Frodo does end up briefly deceived by Gollum to the point that he turns on Sam, the latter soon discovers that he’s been set up, loyally returning to save Frodo from the monstrous spider Shelob and stays at Frodo’s side thereafter. Frodo returns this favor with his visible appreciation of Sam’s selflessness, which is demonstrated when Frodo states that he’s glad Sam is with him, “Here at the end of all things”, shortly before the pair are rescued from the erupting Mount Doom by Gandalf. However, the side-plot of Aragorn finally assuming his mantle of king of Gondor could’ve had more screen time to develop, as this would’ve made the conclusion of Aragorn’s story that much more fulfilling. In addition, it would’ve been nice to see the other races of Middle-Earth (Elves, Dwarves, etc.) making their stands against the might of Sauron. This would work because including this plot thread would show that the race of Men isn’t the only group in Middle-Earth under the threat of Sauron’s merciless warmongering. Finally, despite these plot-based flaws, the main story of the final defense as well as offense against the might of Sauron’s forces is rather well built-up. By the time both the Battle of the Pelennor Fields and the Battle at the Black Gate roll around on-screen, viewers will most likely be anxious to see our heroes finally do battle with Sauron's minions!

Cast: This is one of the strongest points of this cinematic marvel, as the characters seen in The Return of the King are all brought to life by a truly ensemble cast, with the likes of Elijah Wood, Sean Astin (of The Goonies fame), Ian McKellen (aka Magneto from the X-Men franchise), Viggo Mortensen, Orlando Bloom (whom I know as Will Turner in the Pirates of the Caribbean series), John-Rhys Davies (aka Sallah from the Indiana Jones franchise), Bernard Hill, and Andy Serkis, to name a few. To start things off, Sean Astin delivers one of the best performances of the whole Lord of the Rings trilogy as Samwise “Sam” Gamgee, as Astin captures the spirit of a true friend in this film. One of Astin’s best moments in The Return of the King is when Sam and Frodo collapse in exhaustion at the side of Mount Doom, and, after trying and failing to get Frodo to continue (since the latter is fatigued beyond measure) Sam declares, “I can’t carry it for you, but I can carry you!” The way Sean Astin delivers this line is stunningly captivating in how genuine it sounds. In fact, this scene, along with the scene where Sam takes on 
the grotesque spider Shelob in defense of Frodo, alone could make viewers wish for a friend with the unshakeable bravery and loyalty that Sam has. Ian McKellen, on the other hand, garners a truly commanding presence as the benevolent wizard Gandalf, as McKellen is able to almost effortlessly balance the two main personas of Gandalf: a determined protector of the weak and innocent but also a caring and wise friend to the other members of the Fellowship especially the Hobbit Pippin (who plays a much larger role here compared to in the previous films). In addition, Andy Serkis delivers an astonishingly convincing performance as the deceitful Gollum, as Serkis captures the cunning, backstabbing, and obsessed mannerisms of his character to perfection. Serkis also captures the physical movements and vocalisms of the former Ring-bearer rather flawlessly, as Gollum moves and speaks in such a chillingly realistic way that you’ll possibly swear that someone like him could exist in real life. In addition to these 3 key performances, the rest of the cast of The Return of the King are also given their moments to shine, and everyone is completely in character throughout their scenes in this great triumph of filmmaking, which leads to their characters being rather convincing, and thus earns viewers’ sympathy for these characters that have grown significantly throughout this wonderful film trilogy. 


Music: As with the previous Lord of the Rings movies, Howard Shore composed the music for The Return of the King, and all I can say is, Shore saved his best for last! While some (even I) could argue that The Two Towers has just as good of a score as The Return of the King, that doesn’t mean that the latter film fails to deliver in the music department in any way! My favorite pieces of music from The Return of the King, I feel, demonstrate how great of a film composer Howard Shore really is. For example, the music that plays as Gandalf and Pippin arrive at Minas Tirith has a grand feeling to it, which perfectly coincides with the awe viewers will likely feel upon seeing Minas Tirith for the first time onscreen. In addition to this, the score that plays when the tower that Sauron's spirit resides in comes crumbling down following the ultimate destruction of the One Ring has a sort of triumphant aura to it, in that viewers will recognize that evil has finally been vanquished for good, which adds to the satisfying feeling that will likely be felt by those who watch this wonder of a film. In general, the music of The Return of the King will suck you into the moment and leave you in awe of Howard Shore’s musical abilities. 

Action scenes/Visual effects: Like the cast and music, the action sequences as well as visual effects are one of the most memorable aspects of this Peter Jackson-directed epic. Like in The Two Towers, Gollum is brought to incredible life by the brilliant visual effects team at Weta Digital, who translate the astonishing performance of Andy Serkis into the computer-generated freak of nature that is Gollum. Additionally, Weta Digital also added to the spectacle of the action sequences of The Return of the King through the first-ever application of digital horses that were used in the place of real horses for scenarios too dangerous for real horses or their riders, such as the sequence where the Nazgul attack a squad of Gondorians on their way back to Minas Tirith from Osgiliath. Believe it or not, the horses that are plowed over by one of the Nazgul’s Fell Beasts are actually computer-generated creatures seamlessly inserted into the shot alongside the real horses, and if these horses looked real (assuming one's already seen the movie), then this merely goes to show how artistically talented Weta’s visual effects team became throughout the production of The Lord of the Rings trilogy. Speaking of action sequences, The Return of the King has among the best battles and duels of the entire trilogy, being matched only by the Battle of Helm’s Deep from The Two Towers, with sequences such as the massive Battle of Pelennor Fields, to the one-on-one between Sam and Shelob over the fate of a comatose Frodo, to the final battle at the Black Gate of Mordor, all of which were very well planned and choreographed. However, I feel as though the battle at the Black Gate could’ve been longer and slightly more evenly matched, as well as with equal focus on each of our heroes in action due to what’s at stake by this time in the movie. Furthermore, a major point I feel should’ve been acknowledged is why did our heroes dismount from the horses they arrived on? Surely these elegant steeds could’ve served the protagonists (especially the Rohirrim forces present, given how deadly they'd been shown to be on horseback) quite well in the ensuing battle! In spite of this complaint, the Battle of Pelennor Fields has to be the most engaging of the 3 battles, due to its sets of combatants as well as how the battle plays out, as it goes from a catapult battle between the Gondorians and Sauron’s orcs, to a cavalry charge courtesy of the Rohirrim, to a Haradrim (who ride giant, vicious elephant-like creatures known as Mumakil) vs. Rohirrim skirmish to a large ghost army overtaking led by Aragorn, Legolas, and Gimli (though I think the ghost army didn’t have enough screen time, especially considering what a visual spectacle they provided when in action). If you’re watching The Return of the King for the first time, odds are you’ll find this massive battle extremely entertaining thanks to the way events play out. 

 

Overall, after seeing this fantasy gem, I can see why The Return of the King is so universally acclaimed by moviegoers: despite certain flaws when it comes to both the action & the narrative, the movie generally stays on track with the story, the action is spectacular, the effects admirable, and the performances truly something to behold. I definitely recommend seeing this if you want to see the best that the fantasy genre of film has to offer (provided you’ve seen the previous two Lord of the Rings films beforehand) or if you simply want to see what makes this trilogy so worth seeing!

Tuesday, January 15, 2019

Aquaman movie review

Is the latest installment of the DC Extended Universe (or DCEU) good enough to get the franchise back on its feet in the same way as Wonder Woman before it, or is it another dud like Batman v. Superman: Dawn of JusticeSuicide Squad, and Justice League? Let's find out in my review of:
 

During the 2018 Christmas break, 2 weeks after its theatrical debut, my little sister Caroline and I went to see the latest installment in the struggling DC Extended Universe movie franchise known as Aquaman, starring Jason Mamoa of “Game of Thrones” fame as the titular character, along with a remarkable cast consisting of Nicole Kidman, Patrick Wilson, Yahya Abdul-Mateen IIWillem Dafoe, Dolph Lundgren, and Temuera Morrison, among other capable actors and actresses. 
Having seen it twice in full, I am more than happy to say that DC has successfully proven that 2017’s Wonder Woman wasn’t a one-hit wonder, as Aquaman fires on all cylinders and, at least from my perspective, even manages to surpass its predecessor! With all this being said, let’s look into what has enabled Aquaman to become, as of now, the highest-grossing film in the DCEU, and the first of the franchise to join the $1 billion dollar club!

Cast: I have to give major props to the cast that director James Wan assembled for this cinematic experience, especially Jason Momoa and Amber Heard (who have quite the chemistry onscreen due to how well their characters bounce off each other!). Momoa has managed to make the leap from TV to Hollywood quite well, as there are 2 major sides to Arthur Curry, aka Aquaman, that Momoa manages to bring to life rather efficiently. On one hand, there’s Arthur’s carefree, ‘rock star’-like persona that Momoa effortlessly brings to life onscreen, which is most prominently displayed towards the beginning of the film, when Aquaman single-handedly wipes the floor with a group of well-armed pirates who’ve hijacked a Russian nuclear submarine. On the other hand, Momoa admirably captures the essence of a man who just wants to protect those he cares about as well as the world he's grown up in, which is highlighted (Minor spoilers) after a behemoth tidal wave sent by Patrick Wilson’s King Orm (the film’s main antagonist, who later adopts his iconic moniker of ‘Ocean Master’ from the comics) almost kills Arthur’s father Thomas (played by Jango Fett of the Star Wars prequels himself, Temuera Morrison) (End spoilers), which is what drives the former to undergo the quest to retrieve the legendary trident of the long-deceased King Atlan, the first ruler of Atlantis.  

Amber Heard, meanwhile, plays the utterly gorgeous (even when wet!) Princess Mera, who serves as Arthur's (and, in a way, the audience's) guide to both Atlantis and much of the underwater world seen throughout Aquaman. In addition to playing the typical ‘straight-man’ (despite not being male) to Momoa’s more self-aware and somewhat unconventional main lead, Heard manages to instill an aura of confidence, wisdom (about the history and culture of Atlantis), as well as remarkable power and combat skill to boot (as demonstrated during the exquisitely filmed chase/skirmish in Italy during the movie’s second act)! Most significantly, Heard’s acting is convincing enough and is infused with enough charisma that audiences can more readily buy into her character’s (positive) change of opinion regarding the surface world and its inhabitants that occurs during the segment of the film when Mera and Arthur travel to Sicily to determine the coordinates to Atlan’s trident.


Besides our leads, the rest of the cast (particularly Willem Dafoe (aka Norman Osborn/Green Goblin in Sam Raimi's Spider-Man and Gill in Pixar's Finding Nemo) as Arthur’s longtime mentor Vulko, Yahya Abdul-Mateen II as the vengeful pirate David Kane, aka Black Manta, and Patrick Wilson as the bitter King Orm, aka Ocean Master) breathe life into their characters in their own distinct, yet equally effective, ways. I could go into what these talented actors did right in their performances, but we’d be here all day if I did, so therefore, I’m giving them an equivalent amount of praise collectively!


Cinematography: In addition to the cast, Aquaman boasts some truly eye-popping cinematography, courtesy of Don Burgess (who previously collaborated with James Wan on 2016’s The Conjuring 2). As the movie unfolded, there were numerous times I laid eyes on shots that I plan on possibly using as my desktop picture due to the sheer scale of what was unfolding before me, the vibrant color palette being utilized, the smart usage of wide shots, or a combination of the three (as seen below)!
A shot of the climax that sees King Orm's coalition wage war against the crustacean-like Brine.
The last movie I saw with such impressive cinematography (besides the ‘hero shots’ Marvel Studios have mastered, as seen in Avengers: Infinity War) was the polarizing Star Wars: The Last Jedi, which came out over a year ago! I think it’s safe to say that Burgess should stick around with DC, because with guidance and direction like James Wan’s, he could work his way up to becoming the next Roger Deakins (the Academy Award-winning cinematographer most often known for his collaborations with the Coen brothers who also served as a visual consultant for the beloved How to Train Your Dragon film franchise)!

Visual EffectsFinally, while the cinematography is truly something to behold, it helps to bolster very well-realized visual effects, courtesy of visual effects (or VFX for short) companies such as Digital Domain (who realized the Hidden Sea seen at the end of the second act and the beginning of the third act of the movie), Method Studios (who created the visual effects for such scenes as the fight in Sicily that sees Arthur and Mera fending for their lives against the newly-christened Black Manta and his goons) and of course, the Academy Award-winning VFX giant known as Industrial Light & Magic, who realized the undersea hair movements (for when characters interact underwater), the kingdom of Atlantis, its computer-generated fauna, as well as the utter spectacle of a final battle (details of which I won’t give away for the sake of spoilers). While Aquaman’s visual effects aren’t the greatest VFX I’ve witnessed in 2018 (that honor goes to the work done on Thanos in Avengers: Infinity War), they are nonetheless something to behold, as the lighting and painstaking detail on display helps to make all the assorted imagery look that much more believable. In addition, there are instances where the talent of the numerous VFX artists really shine through.  
For instance, during the kinetic chase/fight in Italy, in which Black Manta almost blasts Arthur with his straight-out-of-the-comics red ‘optical lasers’, only to blast apart the upper portion of a bell tower, the thousands of bits of debris that fly from the ensuing explosion helps to convince audiences that this piece of architecture has indeed been blasted apart by futuristic weaponry. The filmmakers could’ve easily left the debris out and merely shown the larger chunks of the tower being blown apart (along with the fireball produced by Black Manta’s lasers), but by adding the hundreds of small debris pieces into the shot, it makes the bell tower’s destruction that much more believable. Meticulous attention to detail like this makes me appreciate the visual craftsmanship on display throughout Aquaman, and helps it to stand out that much more from VFX-heavy blockbusters like BumblebeeAnt-Man and the Wasp, and the aforementioned Avengers: Infinity War!

If it wasn’t clear by now, I was very pleased with Aquaman, as it has immersive acting from an impressive cast, passionate directing by James Wan, engrossing cinematography, and visual effects that succeed in transporting viewers to a sprawling world beneath the waves. Combine all this with remarkably dynamic action sequences and a unique-sounding score by composer Rupert Gregson-Williams (who previously did the score for Wonder Woman), and you have yourself one heck of a cinematic ride! I highly recommend checking this movie out, and I look forward to seeing it again (hopefully) sometime soon!